Inspired by journalists Christiane Amanpour and Sylvia Poggioli, MIDNIGHT, AT THE WAR is a novel about a reporter chasing the biggest story of her career as she contends with a tense newsroom, a dangerous global conflict, and all the problems she’s running away from at home.

Inspired by journalists Christiane Amanpour and Sylvia Poggioli, MIDNIGHT, AT THE WAR is a novel about a reporter chasing the biggest story of her career as she contends with a tense newsroom, a dangerous global conflict, and all the problems she’s running away from at home.

Inspired by journalists Christiane Amanpour and Sylvia Poggioli, MIDNIGHT, AT THE WAR is a novel about a reporter chasing the biggest story of her career as she contends with a tense newsroom, a dangerous global conflict, and all the problems she’s running away from at home, by the acclaimed novelist that Megha Majumdar calls “a gem of a writer.”

Foreign correspondent Rita Das has left New York for the war-torn Middle East, a reassignment she asked for after learning she is pregnant but uncertain if the father is her husband or her lover. As she strives to shed light on the fallouts of the war, Rita finds herself embroiled in her own conflicts with her interpreter and her news editor, her sources and her colleagues. She is unable to accept the loss of her mother and deal with her guilt for not being at her side when she died.

Fiercely independent and ambitious (and, in her journalism, deeply humane), Rita is also in denial about her need for intimate human relationships. As she goes into the field to report on the war, she grapples with the physical and emotional tolls of her pregnant body and a turbulent region where the numbing repetition of war slides suddenly into horror. When her news editor delivers urgent orders for her to return to New York, Rita is faced with a choice about how she wants to live her life as a journalist and a soon-to-be mother.

Set in the years immediately after 9/11, and drawn from Devi Laskar’s own experience as a government reporter in the 1990s and early aughts, MIDNIGHT, AT THE WAR is an exploration of love and grief, of moral ambiguity and forgiveness, of modern war and the wars we wage within ourselves.

Susan Patterson and James Patterson's follow-up to THINGS I WISH I TOLD MY MOTHER revolves around the emotional reunion of the Mother-Daughter Book Club --- four longtime college friends and their five daughters --- which leads to surprising revelations.

Susan Patterson and James Patterson's follow-up to THINGS I WISH I TOLD MY MOTHER revolves around the emotional reunion of the Mother-Daughter Book Club --- four longtime college friends and their five daughters --- which leads to surprising revelations.

THE MOTHER-DAUGHTER BOOK CLUB is Susan and James Patterson's new novel, the follow-up to THINGS I WISH I TOLD MY MOTHER --- the New York Times bestselling, book club favorite praised novel.

Between their busy lives and their far-flung residences, the Mother-Daughter Book Club --- four longtime college friends and their five daughters --- more often discuss the books on their nightstands via 2am texts than in-person meetings. And maybe it’s just as well, after what happened at their last get-together.

So it’s an emotional reunion when they finally gather again, this time on the spectacular shores of Italy’s Lake Como. Sightseeing excursions, reminiscing fueled by “Como-politans,” and a hint of vacation romance all build toward the book club’s trademark “Night of Secrets.”

These friends, and sometime rivals, are close readers --- of novels, memoirs, and each other. But as the years and the distance cast shadows and doubt, confidences and sympathies turn into surprising revelations.

An intimate and searing novel about mothers and daughters, and destiny and desire, MOTHERS AND OTHER STRANGERS takes a full-hearted look at those relationships in life that are as impossible as they are utterly essential.

An intimate and searing novel about mothers and daughters, and destiny and desire, MOTHERS AND OTHER STRANGERS takes a full-hearted look at those relationships in life that are as impossible as they are utterly essential.

Two estranged childhood best friends reunite as expectant mothers after a mysterious falling-out between their own mothers keeps them apart for years​. Perfect for readers of Claire Lombardo and J. Courtney Sullivan.

When Sydney and Mae meet on the playground as toddlers, it seems like kismet. Even their very different mothers --- the Type-A Beth Ann and the free-spirited Joni --- agree the girls are made for each other, and it's not long before even the mothers become inseparable.   

Then a falling-out draws them apart, and decades later, the loneliness still lingers for the newly pregnant Sydney. Adrift in the absence of her closest friend, Sydney has been drawn into a Multi-Level Marketing scheme, exacerbated by the demands of her inflexible mother, Beth Ann, whose constant scrutiny seems reserved only for her daughter.   

Across the city, Mae is stunned to find herself single, pregnant, and still haunted by the loss of her mercurial late mother, Joni, whose mysterious death holds as many unanswered questions as Mae does herself. Mae is an artist who has lived under the shadow of the one painting (of two girls) that made her famous years ago, the success of which confines as much as it defines her.   

When Sydney and Mae find themselves back in one another’s lives, each with a baby girl on the horizon, it once again seems like destiny. Each begins to pull the other away from the coercive influence of outsiders --- mommy groups, marketing schemes, artistic pressures and ex-boyfriends. But the two women will soon discover that it’s not destiny that has drawn them together this time, but a devastating secret at the center of their orbits --- a truth that finally will bind them or shatter them, for good.   

An intimate and searing novel about mothers and daughters, and destiny and desire, MOTHERS AND OTHER STRANGERS takes a full-hearted look at those relationships in life that are as impossible as they are utterly essential.

In this stand-alone and companion novel to the Book Woman of Troublesome Creek series, our heroine for the ages, legendary book woman Cussy Lovett, returns home.

In this stand-alone and companion novel to the Book Woman of Troublesome Creek series, our heroine for the ages, legendary book woman Cussy Lovett, returns home.

In this stand-alone and companion novel to the Book Woman of Troublesome Creek series, our heroine for the ages, legendary book woman Cussy Lovett, returns home.

A powerful testament of strength, survival and the magic of the printed word, THE MOUNTAINS WE CALL HOME is wrapped into a vivid portrait of Kentucky life: examining incarceration and criminalization, exploring the effects on the poor and powerless, and tracing the societal consequences of fractured family bonds, along with nostalgic glimpses of a bustling, multifaceted Louisville, and heartwarming portraits of reading efforts in every facet of life.

Meticulously researched and richly detailed with a new cast of absorbing and complex characters, this beautifully rendered, authentic Kentucky tale is gritty and heartbreaking and infused with hope, spirit and courage known only to those with no way out.

From the critically acclaimed, bestselling author of THE LIGHT PIRATE comes a powerful, deeply resonant novel about an ambitious archaeologist in pursuit of a rare artifact from an ancient civilization that would change not only her life but potentially society at large.

From the critically acclaimed, bestselling author of THE LIGHT PIRATE comes a powerful, deeply resonant novel about an ambitious archaeologist in pursuit of a rare artifact from an ancient civilization that would change not only her life but potentially society at large.

From the critically acclaimed, bestselling author of THE LIGHT PIRATE comes a powerful, deeply resonant novel about an ambitious archaeologist in pursuit of a rare artifact from an ancient civilization that would change not only her life but potentially society at large.

Professor Ember Agni is a rising star in archaeology, trying to balance an unfulfilling career in academia and a crumbling marriage, all while pursuing her true passion: unearthing a lost empire that no one else believes existed. Just as she’s about to give up on the ambitious expedition she spent a decade trying to fund, a message arrives from overseas. A former student claims to have found something extraordinary --- an artifact that hints at the forgotten world lying beneath history’s tidy surface.

With vindication finally within reach, Ember risks everything for the sake of discovery and undertakes an odyssey that will either make her name or ruin her. Driven by unwavering faith in her vision of the past, she challenges the limits of her nation, her colleagues and herself in order to exhume the missing pieces of how humanity began. But as she journeys deep into an untouched wilderness, in dogged pursuit of a dead civilization, she collides with the wreckage of her own life.

On the brink of either discovery or destruction, Ember must choose who she wants to be and to what kind of world she wants to belong.

UPWARD BOUND is a wondrous, deeply affecting portrait of the interlocking lives at an adult day care center in Southern California, depicting an often overlooked community with extraordinary wit and grace. 

UPWARD BOUND is a wondrous, deeply affecting portrait of the interlocking lives at an adult day care center in Southern California, depicting an often overlooked community with extraordinary wit and grace. 

A wondrous, deeply affecting portrait of the interlocking lives at an adult day care center in Southern California, depicting an often overlooked community with extraordinary wit and grace --- “an explosive novel” (Ron Charles) by a major new literary voice hailed as a “groundbreaking debut novelist” (Publishers Weekly).

Upward Bound is not a place anyone dreams of spending their days. The dreary adult daycare center for Los Angeles’s disabled community is, for many of its clients and staff, a place of last resort. This includes Carlos, a young aide who lost his mother as a boy and now works there alongside his beloved sister, Mariana; Jorge, the gentle nonspeaking giant whom Carlos seeks to befriend (and prevent from escaping); and Tom, a beautiful young man with cerebral palsy who pines for Ann, the summer lifeguard at the center’s pool who feels out of her depth. Then there’s Dave, Upward Bound’s director, who came to L.A. to pursue an acting career but now channels his passion into staging an overly ambitious holiday show starring the center’s irrepressible clients.

Framing these intertwined narratives --- and connecting them in surprising, shattering ways --- is the riveting and sometimes ironic testimony of Walter, a recent community college graduate who, after a family tragedy, must return to the company of his disabled peers.

In UPWARD BOUND, Woody Brown has created an indelible, authentic and profoundly moving group portrait of autism and other disabilities, all illuminated by his empathy, sly sense of humor, and enormous gifts as a novelist. With remarkable sophistication, insight and creativity, Brown depicts a community too often invisible in literature and society.

Filled with characters you won’t soon forget, UPWARD BOUND will inspire and touch you, teaching you as much about yourself as the tender, miraculous world behind the center’s doors.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855. In this sensational debut novel, she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855. In this sensational debut novel, she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855. In this sensational debut novel, she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister.

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers --- all eight million of them --- don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal --- and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children --- they’re all familiar, but something is off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday, Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, YESTERYEAR is a gimlet-eyed look at tradition, fame, faith and the grand performance of womanhood.