Struggling actress Marin Keane is shocked when she lands a role in a major motion picture about the unsolved mystery of New Avalon, an island on sprawling Lake Faraday in Vermont. She’s even more surprised when she learns that the role requires a weeklong research trip to that very spot. A century ago, New Avalon was a commune for spiritual mediums --- until they all vanished in 1926. The only trace of them was five dresses hanging from the branches of an old oak tree in the middle of the island. Not long after arriving, Marin and her castmates --- including legendary actress Violet Wright and white-hot director Ronan Peters --- begin to realize that all is not right with New Avalon. And after a sudden health emergency leaves Marin, Ronan and the other actors stranded on the island, the disappearances begin again.

In 1954, Anna Matheson boards a luxury overnight train bound for Chicago that she’s commissioned, along with a list of names and a heart hardened by loss. Twelve years earlier, during the height of World War II, six people shattered her family’s life. Now, under a false guise, Anna has orchestrated a chilling reunion --- trapping each of them aboard. Her plan is precise: confront the ghosts of her past, unearth long-buried truths, and ensure justice is waiting at journey’s end. But when one of the passengers is found murdered before dawn, it becomes clear that Anna isn't the only one harboring secrets --- or seeking revenge. As the train hurtles into the icy night, Anna must navigate layers of deception, reckon with the cost of vengeance, and come to protect the very people she came to condemn.

One July night, 10-year-old Ethan and his best friend and neighbor, Billy, fell asleep in a tent on a manicured lawn in a quaint New Jersey cul-de-sac. In the morning, Ethan woke up alone. During the night, someone had sliced the tent open with a knife and taken Billy. He was never seen again. Thirty years later, Ethan has reluctantly returned to his childhood home. Someone seems to be roaming the cul-de-sac at odd hours, and signs of Billy’s presence keep appearing in Ethan’s backyard. Is someone playing a cruel prank? Or has Billy, long thought to be dead, somehow returned to Hemlock Circle? The closer Ethan gets to the truth, the more he realizes that no place --- be it quiet forest or suburban street --- is completely safe. And that the past has a way of haunting the present.

The Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume 17-year-old Lenora was responsible, the police were never able to prove it. Lenora has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora. Confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer: I want to tell you everything. As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know.

Casey Fletcher, a recently widowed actress, has retreated to her family’s lake house in Vermont. She passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other --- and the longer Casey watches --- it becomes clear that Katherine and Tom’s marriage isn’t as perfect as it appears. When Katherine suddenly vanishes, Casey immediately suspects Tom of foul play. What she doesn’t realize is that there’s more to the story than meets the eye --- and that shocking secrets can lurk beneath the most placid of surfaces.

Josh Baxter, the man behind the wheel, is a virtual stranger to Charlie. They met at the campus ride board, each looking to share the long drive home to Ohio. Both have good reasons for wanting to get away. For Charlie, it’s guilt and grief over the murder of her best friend, who became the third victim of the man known as the Campus Killer. For Josh, it’s to help care for his sick father. Or so he says. Charlie has her doubts. There’s something suspicious about Josh. As they travel an empty highway in the dead of night, an increasingly worried Charlie begins to think she’s sharing a car with the Campus Killer. Is Josh truly dangerous? Or is Charlie’s suspicion merely a figment of her movie-fueled imagination?

Twenty-five years ago, Maggie Holt and her parents moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal her father recounted in a memoir called House of Horrors. Maggie was too young to remember any of the horrific events that supposedly took place, and as an adult she doesn’t believe a word of her father’s claims. Ghosts, after all, don’t exist. When she inherits Baneberry Hall after his death and returns to renovate the place and sell it, her homecoming is anything but warm. Even more unnerving is Baneberry Hall itself. As Maggie starts to experience strange occurrences ripped from the pages of her father’s book, the truth she uncovers about the house’s dark history will challenge everything she believes.

Jules Larsen is an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story. Until the next day, when Ingrid disappears. What Jules discovers pits her against the clock as she races to unmask a killer, expose the building’s hidden past and escape the Bartholomew before her temporary status becomes permanent.

Jules Larsen has just gotten a job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story. Until the next day, when Ingrid disappears. What Jules discovers pits her against the clock as she races to unmask a killer, expose the building’s hidden past, and escape the Bartholomew before her temporary status becomes permanent.

Two Truths and a Lie. Vivian, Natalie, Allison and first-time camper Emma Davis played it all the time in their cabin at Camp Nightingale. But the games ended the night Emma sleepily watched the others sneak out of the cabin into the darkness. Now a rising star in the New York art scene, Emma is asked to return to the newly reopened camp as a painting instructor. Seeing an opportunity to find out what really happened to her friends all those years ago, she agrees. Emma is assigned to the same cabin she slept in as a teenager, and cryptic clues that Vivian left behind about the camp's twisted origins begin surfacing. As she digs deeper, Emma finds herself sorting through lies from the past while facing mysterious threats in the present.

Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a massacre. In an instant, she became a member of a group of similar survivors known in the press as the Final Girls --- which includes Lisa, who lost nine sorority sisters to a college dropout's knife, and Sam, who went up against the Sack Man during her shift at the Nightlight Inn. But when Lisa is found dead in her bathtub with her wrists slit, Sam appears on Quincy's doorstep. She seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out.