Originally published in The New Yorker in 2019, and now presented in a full, unabridged form, ABANDONING A CAT is a poignant, self-reflective work by Haruki Murakami. Here he writes about his father, the son of a priest who might have become a priest himself had a clerical error not sent him into the Second World War. Murakami's father wrote accomplished haiku and eventually became a teacher. As Murakami grew older, as he became an adult and then a writer, he and his father found they had little in common. They were later estranged for 20 years, only reconciling on his father's deathbed.

When a young man’s girlfriend mysteriously vanishes, he is heartbroken --- and determined to find the imaginary town where he suspects she has taken up residence. Thus begins a lifelong search that takes the man into middle age, to a job in a remote library with mysteries of its own, and on a journey between the real world and this otherworld: a shadowless city where unicorns roam and willow trees grow. There he finds his beloved working in a different library --- a dream library. But she has no memory of their life together. And as the seasons pass and the man grows more uncertain about the porous boundaries between these two worlds, he must decide what he is willing to lose.

Aspiring writers and readers who have long wondered where the mysterious novelist gets his ideas and what inspires his strangely surreal worlds will be fascinated by this engaging book from the internationally bestselling author. Haruki Murakami now shares with readers his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists and musicians. Here are the personal details of a life devoted to craft: the initial moment at a Yakult Swallows baseball game when he suddenly knew he could write a novel; the importance of memory, what he calls a writer’s “mental chest of drawers”; the necessity of loneliness, patience and his daily running routine; the seminal role a carrier pigeon played in his career; and more.

The eight stories in FIRST PERSON SINGULAR are all told in the first person by a classic Haruki Murakami narrator. From memories of youth, meditations on music, and an ardent love of baseball, to dreamlike scenarios and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator may or may not be Murakami himself. Is it memoir or fiction? The reader decides.

A thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In MEN WITHOUT WOMEN, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

Haruki Murakami's passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in ABSOLUTELY ON MUSIC, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more.

In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write. The result: two remarkable short novels --- HEAR THE WIND SING and PINBALL, 1973 --- that launched his career. These powerful, at times surreal, works about two young men coming of age are stories of loneliness, obsession and eroticism. Widely available in English for the first time ever, newly translated, and featuring a new introduction by Murakami himself, WIND/PINBALL gives us a fascinating insight into a great writer’s beginnings.

COLORLESS TSUKURU TAZAKI AND HIS YEARS OF PILGRIMAGE is the long-awaited new novel from the award-winning, internationally bestselling author Haruki Murakami. Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present.

A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s --- 1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant bestseller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.