In 1968, a clerical mistake threatens the prestigious but cash-strapped Goode School in the small New England town of Cape Wilde. After a century of all-male, old-boy education, the school accidentally admits its first female student: a brilliant, outspoken, 15-year-old black girl whose arrival will have both an immediate and long-term effect on the prep school and everyone in its orbit.

In 1968, a clerical mistake threatens the prestigious but cash-strapped Goode School in the small New England town of Cape Wilde. After a century of all-male, old-boy education, the school accidentally admits its first female student: a brilliant, outspoken, 15-year-old black girl whose arrival will have both an immediate and long-term effect on the prep school and everyone in its orbit.

From the O. Henry Award-winning author of the story collection THE BOSTONS --- a New York Times Notable Book, Los Angeles Times Book of the Year and winner of the PEN/Robert Bingham Fellowship for Writers --- an exquisite first novel set at a disintegrating New England prep school.

It's 1968. The prestigious but cash-strapped Goode School in the town of Cape Wilde is run by its aging, philandering headmaster, Goddard Byrd, known to both his friends and his enemies as God. With Cape Wilde engulfed by the social and political storms of integration, coeducation and the sexual revolution, God has confidently promised coeducation "over my dead body." And then, through a clerical error, the Goode School admits its first female student: Carole Faust, a brilliant, intractable fifteen-year-old black girl.

What does it mean to be the First Girl?

Carolyn Cooke has written a ferociously intelligent, richly sensual novel about the lives of girls and women, the complicated desperation of daughters without fathers and the erosion of paternalistic power in an elite New England town on the cusp of radical social change. Remarkable for the precision of its language, the incandescence of its images, and the sly provocations of its moral and emotional predicaments, DAUGHTERS OF THE REVOLUTION is a novel of exceptional force and beauty.

Martin Anderson has a racehorse, a deep-sea fishing boat, a vacation home in Tahoe, and a Caddy in the garage. But his life is in freefall.

Martin Anderson has a racehorse, a deep-sea fishing boat, a vacation home in Tahoe, and a Caddy in the garage. But his life is in freefall.

Martin Anderson has a racehorse, a deep-sea fishing boat, a vacation home in Tahoe, and a Caddy in the garage. But his life is in freefall. It's the 1970s, and with the arrival of the oil crisis and gas rationing, his small aircraft business is tanking, as is his extravagant suburban lifestyle. Martin keeps many secrets from his wife, such as his mounting debt and his penchant for sneaking into neighborhood homes and making off with small keepsakes. So when he's given the opportunity to clear his debt by using one of his planes to make a few drug runs between California and Mexico, Martin doesn't think twice…or at all, for that matter.

Things quickly spiral out of control when Martin's simple plan lands him in the midst of gun-toting Mexican thugs. After a narcotics agent arrives on his doorstep, he becomes increasingly paranoid, both about the police and about his associates in the drug world --- a feeling that seems justified when he stumbles upon the scene of a brutal double murder. Martin wants out, but he wants his money, too.

Deeply funny and suspenseful, David Anthony's novel is a perfect snapshot of the excesses of American culture.