A killer uses fearsome precision to take out impossible targets. Detective Michael Bennett teams with a shooting expert --- a former Army Ranger and sniper with NYPD’s Emergency Services Unit. But Officer Rob Trilling seems more comfortable with rifles than he is with people. When his new partner begins to log unexplained absences from duty, only Bennett can prove whether the decorated officer is a lonely hunter or a hardened assassin.

A killer uses fearsome precision to take out impossible targets. Detective Michael Bennett teams with a shooting expert --- a former Army Ranger and sniper with NYPD’s Emergency Services Unit. But Officer Rob Trilling seems more comfortable with rifles than he is with people. When his new partner begins to log unexplained absences from duty, only Bennett can prove whether the decorated officer is a lonely hunter or a hardened assassin.

“Turn. Up. The. Heat” (New York Times) with this psychological thriller. New York City detective Michael Bennett faces his most terrifying killer ever. It could be anyone. They could be anywhere.

A killer uses fearsome precision to take out impossible targets.

Detective Michael Bennett teams with a shooting expert --- a former Army Ranger and sniper with NYPD’s Emergency Services Unit. But Officer Rob Trilling seems more comfortable with rifles than he is with people.

When his new partner begins to log unexplained absences from duty, only Bennett can prove whether the decorated officer is a lonely hunter or a hardened assassin.

Audiobook available, read by Peter Giles and Will Collyer

Mary Russell and Sherlock Holmes look forward to spending time with Holmes’ son, the famous artist Damian Adler, and his family. But when they arrive at Damian’s house, they learn that the Adlers have fled from a mysterious threat. Holmes rushes after Damian, while Russell stays behind to search the empty house. In Damian’s studio, she discovers four crates packed with memorabilia related to Holmes’ grand-uncle, the artist Horace Vernet. There’s also an old journal written in a nearly impenetrable code. She slowly realizes that each entry is built around an image --- the first of which is a child, bundled into a carriage by an abductor, watching her mother recede from view. Who is the young Indian woman who created this elaborate puzzle? What does she have to do with Damian, or the Vernets --- or the threat hovering over the house?

Mary Russell and Sherlock Holmes look forward to spending time with Holmes’ son, the famous artist Damian Adler, and his family. But when they arrive at Damian’s house, they learn that the Adlers have fled from a mysterious threat. Holmes rushes after Damian, while Russell stays behind to search the empty house. In Damian’s studio, she discovers four crates packed with memorabilia related to Holmes’ grand-uncle, the artist Horace Vernet. There’s also an old journal written in a nearly impenetrable code. She slowly realizes that each entry is built around an image --- the first of which is a child, bundled into a carriage by an abductor, watching her mother recede from view. Who is the young Indian woman who created this elaborate puzzle? What does she have to do with Damian, or the Vernets --- or the threat hovering over the house?

Mary Russell and Sherlock Holmes, hoping for a respite in the French countryside, are instead caught up in a case that turns both bewildering and intensely personal.

After their recent adventures in Transylvania, Russell and Holmes look forward to spending time with Holmes’ son, the famous artist Damian Adler, and his family. But when they arrive at Damian’s house, they discover that the Adlers have fled from a mysterious threat.

Holmes rushes after Damian while Russell, slowed down by a recent injury, stays behind to search the empty house. In Damian’s studio, she discovers four crates packed with memorabilia related to Holmes’ granduncle, the artist Horace Vernet. It’s an odd mix of treasures and clutter, including a tarnished silver lamp with a rotating shade: an antique yet sophisticated form of zoetrope, fitted with strips of paper whose images dance with the lantern’s spin.

In the same crate is an old journal written in a nearly impenetrable code. Intrigued, Russell sets about deciphering the intricate cryptograph, slowly realizing that each entry is built around an image --- the first of which is a child, bundled into a carriage by an abductor, watching her mother recede from view.

Russell is troubled, then entranced, but each entry she decodes brings more questions. Who is the young Indian woman who created this elaborate puzzle? What does she have to do with Damian, or the Vernets --- or the threat hovering over the house?

The secrets of the past appear to be reaching into the present. And it seems increasingly urgent that Russell figure out how the journal and lantern are related to Damian --- and possibly to Sherlock Holmes himself.

Could there be things about his own history that even the master detective does not perceive?

Audiobook available, read by Amy Scanlon

After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine and sunshine. Instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia. In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns. But when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home…or in their dreams.

After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine and sunshine. Instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia. In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns. But when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home…or in their dreams.

This New York Times bestseller is the chilling gothic sequel to WHAT MOVES THE DEAD, a new adventure featuring beloved sworn soldier Alex Easton.

After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia.

In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home...or in their dreams.

Audiobook available, read by Avi Roque

WITCHCRAFT travels through 13 witch trials across history, some famous --- like the Salem witch trials --- and some lesser-known: on Vardø island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country’s last witch trial, where a young woman was pitted against her confessor and cult leader; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized and then reimagined as gendered persecution, WITCHCRAFT takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance.

WITCHCRAFT travels through 13 witch trials across history, some famous --- like the Salem witch trials --- and some lesser-known: on Vardø island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country’s last witch trial, where a young woman was pitted against her confessor and cult leader; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized and then reimagined as gendered persecution, WITCHCRAFT takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance.

A “thought-provoking and timely” (The Times) global history of witch trials across Europe, Africa and the Americas, told through 13 distinct trials that illuminate a pattern of demonization and conspiratorial thinking that has profoundly shaped human history.

This “inventive and compelling” (Times Literary Supplement) work of social history travels through 13 witch trials across history, some famous --- like the Salem witch trials --- and some lesser-known: on Vardø island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country’s last witch trial, where a young woman was pitted against her confessor and cult leader; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized and then reimagined as gendered persecution, WITCHCRAFT takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance.

Offering a striking, dramatic journey unspooling over centuries and across continents, WITCHCRAFT is a “well-rounded insight into some of the strangest and cruelest moments in history” (Buzz Magazine), giving voice to those who have been silenced by history.

Audiobook available, read by Rose Akroyd

Born to Mexican immigrants south of the Rillito River in Tucson, Arizona, Elizabeth had the world at her fingertips. She was preparing to enter her freshman year of high school as the number one student when her own country suddenly took away the most important right a child has: the right to have a family. When her parents’ visas expired and they were forced to return to Mexico, Elizabeth was left responsible for her younger brother, as well as her education. Even though her parents couldn’t stay, there was no way she could let go of the opportunities the U.S. could provide. Armed with only her passport, Elizabeth became what her school would eventually describe as an unaccompanied homeless youth, one of thousands of underage victims affected by family separation due to broken immigration laws.

Born to Mexican immigrants south of the Rillito River in Tucson, Arizona, Elizabeth had the world at her fingertips. She was preparing to enter her freshman year of high school as the number one student when her own country suddenly took away the most important right a child has: the right to have a family. When her parents’ visas expired and they were forced to return to Mexico, Elizabeth was left responsible for her younger brother, as well as her education. Even though her parents couldn’t stay, there was no way she could let go of the opportunities the U.S. could provide. Armed with only her passport, Elizabeth became what her school would eventually describe as an unaccompanied homeless youth, one of thousands of underage victims affected by family separation due to broken immigration laws.

Elizabeth Camarillo Gutierrez reveals her experience as the U.S. born daughter of immigrants and what happened when, at 15, her parents were forced back to Mexico in this galvanizing yet tender memoir.

Born to Mexican immigrants south of the Rillito River in Tucson, Arizona, Elizabeth had the world at her fingertips. She was preparing to enter her freshman year of high school as the number one student when suddenly, her own country took away the most important right a child has: the right to have a family.

When her parents’ visas expired and they were forced to return to Mexico, Elizabeth was left responsible for her younger brother, as well as her education. Determined to break the cycle of being a “statistic,” she knew that even though her parents couldn’t stay, there was no way she could let go of the opportunities the U.S. could provide. Armed with only her passport and sheer teenage determination, Elizabeth became what her school would eventually describe as an unaccompanied homeless youth, one of thousands of underage victims affected by family separation due to broken immigration laws.

For fans of EDUCATED by Tara Westover and THE DISTANCE BETWEEN US by Reyna Grande, MY SIDE OF THE RIVER explores separation, generational trauma and the toll of the American dream. It’s also, at its core, a love story between a brother and a sister who, no matter the cost, is determined to make the pursuit of her brother’s dreams easier than it was for her.

Audiobook available, read by Elizabeth Camarillo Gutierrez