Agnes, Charlie, Marshall and the other elderly residents of Sunset Hall are going stir-crazy at home. And to top it all off, another series of murders is rocking the hamlet of Duck End. So when Edwina manages to slip onto Marshall’s computer in an unobserved moment and promptly wins a stay in an exclusive coastal hotel in Cornwall, the Sunset Hall crew waste no time in joining her. But Agnes sees something unsettling from the terrace of the hotel: two figures in hoods walk away from the hotel along the cliffs, but only one returns. Worried she’s witnessed a murder, Agnes tells the others. At first nobody really believes her. But when the hotel ends up isolated from the outside world after a storm, it becomes clear that a murderer really is on the loose --- and they’re trapped, just like all of the other guests.

Agnes, Charlie, Marshall and the other elderly residents of Sunset Hall are going stir-crazy at home. And to top it all off, another series of murders is rocking the hamlet of Duck End. So when Edwina manages to slip onto Marshall’s computer in an unobserved moment and promptly wins a stay in an exclusive coastal hotel in Cornwall, the Sunset Hall crew waste no time in joining her. But Agnes sees something unsettling from the terrace of the hotel: two figures in hoods walk away from the hotel along the cliffs, but only one returns. Worried she’s witnessed a murder, Agnes tells the others. At first nobody really believes her. But when the hotel ends up isolated from the outside world after a storm, it becomes clear that a murderer really is on the loose --- and they’re trapped, just like all of the other guests.

This highly anticipated follow-up to THE SUNSET YEARS OF AGNES SHARP finds Agnes and her octogenarian friends face-to-face with a killer after winning a trip to a beautiful hotel in the seaside town of Cornwall.

The year is rapidly drawing to an end, Hettie the tortoise is hibernating and Agnes, Charlie, Marshall and the other elderly residents of Sunset Hall are going stir-crazy at home. They’ve had enough of the broken boiler, draughty bedrooms and Christmas jingles on the radio. And to top it all off, another series of murders is rocking the hamlet of Duck End. It seems like every villager and his dog is trying to make up for all of the thwarted murders of the past 30 years.

Most unpleasant! The residents of Sunset Hall don’t want anything to do with the criminal activities. So when Edwina manages to slip onto Marshall’s computer in an unobserved moment and promptly wins a stay in an exclusive coastal hotel in Cornwall, the Sunset Hall crew doesn’t waste any time in deciding to join her. After all, Edwina can’t be left unsupervised.

But they’ve barely unpacked their bags when Agnes sees something unsettling from the terrace of the hotel: two figures in hoods walk away from the hotel along the cliffs, but only one returns. Worried she’s witnessed a murder, Agnes tells the others. At first nobody really believes her, after all the crew have enough to do working their way through the incredible menu, exploring the hotel’s wellness-landscape, navigating old and new love affairs, and adopting a boa constrictor. But when the hotel ends up isolated from the outside world after a storm, it becomes clear that a murderer really is on the loose --- and they’re trapped, just like all of the other guests.

Audiobook available, read by Moira Quirk

Is there such a thing as a good sociopath? Newly minted private investigator Annalisa Vega is skeptical, but her first client, Mara Delaney, insists that some sociopaths are beneficial to society. Mara has even written a book titled The Good Sociopath centered on Chicago neurosurgeon Craig Canning. Dr. Canning has saved hundreds of lives, so it shouldn’t matter that he doesn’t actually care about his patients, should it? But Mara has a more urgent problem. She is now concerned that Canning might not be such a good sociopath after all. A young woman in Canning’s apartment building mysteriously plunged to her death from a balcony, and Mara fears Canning could be responsible. She needs to uncover the truth about Canning before the book comes out, so Annalisa has little time to search for answers.

Is there such a thing as a good sociopath? Newly minted private investigator Annalisa Vega is skeptical, but her first client, Mara Delaney, insists that some sociopaths are beneficial to society. Mara has even written a book titled The Good Sociopath centered on Chicago neurosurgeon Craig Canning. Dr. Canning has saved hundreds of lives, so it shouldn’t matter that he doesn’t actually care about his patients, should it? But Mara has a more urgent problem. She is now concerned that Canning might not be such a good sociopath after all. A young woman in Canning’s apartment building mysteriously plunged to her death from a balcony, and Mara fears Canning could be responsible. She needs to uncover the truth about Canning before the book comes out, so Annalisa has little time to search for answers.

The fourth installment in the beloved Detective Annalisa Vega series.

Is there such a thing as a good sociopath? Newly minted private investigator Annalisa Vega is skeptical, but her first client, Mara Delaney, insists that some sociopaths are beneficial to society. Mara has even written a book titled The Good Sociopath centered on Chicago neurosurgeon Craig Canning. Dr. Canning has saved hundreds of lives so it shouldn’t matter that he doesn’t actually care about his patients, should it? But Mara has a more urgent problem, she is now concerned that Canning might not be such a good sociopath after all. A young woman in Canning’s apartment building mysteriously plunged to her death from a balcony, and Mara fears Canning could be responsible. She needs to uncover the truth about Canning before the book comes out, so Annalisa has little time to search for answers.

Annalisa quickly discovers that more than one person wanted the young woman dead. Canning insists he didn’t do it. His charming, unflappable demeanor suggests that either he’s telling the truth or Mara is right and he’s cold-hearted to the core. But the cops believe the girl’s death was an accident. The more Annalisa probes, the more she becomes convinced it’s a fiendishly clever murder, one only a brilliant psychopath could pull off. She draws deeper into a battle of wits with Canning, so determined to prove his guilt that she forgets Mara’s most important warning --- that sociopaths only care about winning at all costs. When Annalisa finally peels back the layers of deceit to reveal the horrifying truth of the girl’s death, she may be too late to save herself.

Audiobook available, read by Kelsey Navarro Foster

Twenty-five years ago, DCI Harry Rhimes arrested Andrew Streeter for the brutal murders of five young people. Streeter’s "kill list" of victims was found in his home, and he was convicted of all five crimes. Now, Streeter’s convictions are being overturned, as new evidence implies the original investigation was corrupt. No one is more shocked than DI Anjelica Henley. Because this case is personal; Rhimes was her old boss, and he’s no longer alive to defend himself. But when the killings start up again, Henley must face the truth: Rhimes got it wrong 25 years ago. Henley and her team reopen the original murder cases, but they must put their personal feelings to one side. Because the real killer is still out there, and he’s working his way through a new kill list.

Twenty-five years ago, DCI Harry Rhimes arrested Andrew Streeter for the brutal murders of five young people. Streeter’s "kill list" of victims was found in his home, and he was convicted of all five crimes. Now, Streeter’s convictions are being overturned, as new evidence implies the original investigation was corrupt. No one is more shocked than DI Anjelica Henley. Because this case is personal; Rhimes was her old boss, and he’s no longer alive to defend himself. But when the killings start up again, Henley must face the truth: Rhimes got it wrong 25 years ago. Henley and her team reopen the original murder cases, but they must put their personal feelings to one side. Because the real killer is still out there, and he’s working his way through a new kill list.

He will come for them, one by one. Five shocking murders.

Twenty-five years ago, DCI Harry Rhimes arrested Andrew Streeter for the brutal murders of five young people. Streeter’s "kill list" of victims was found in his home, and he was convicted of all five crimes.

A legacy under threat

Now, Streeter’s convictions are being overturned, as new evidence implies the original investigation was corrupt. No one is more shocked than DI Anjelica Henley. Because this case is personal; Rhimes was her old boss, and he’s no longer alive to defend himself. But when the killings start up again, Henley must face the truth: Rhimes got it wrong 25 years ago.

A hunt for a killer

Henley and her team reopen the original murder cases, but they must put their personal feelings to one side. Because the real killer is still out there, and he’s working his way through a new kill list.

Audiobook available, read by Diveen Henry

STORIES I LIVED TO TELL is more than a selection of stories from revered mountain storyteller Gary Carden. It is a testimony of a distinguished culture, sense of place and spirit of community that connects the Appalachian past to its present. This memoir-in-stories invites the reader to move beyond stereotypes to experience the scenes, characters and community of the author's childhood and formative years, intersecting with the regional folktales and mythologies that fired his imagination. It is not only a fascinating window into an Appalachian community in the middle of the 20th century but also an insightful reminder of who that community is today, in spite of the external changes.

STORIES I LIVED TO TELL is more than a selection of stories from revered mountain storyteller Gary Carden. It is a testimony of a distinguished culture, sense of place and spirit of community that connects the Appalachian past to its present. This memoir-in-stories invites the reader to move beyond stereotypes to experience the scenes, characters and community of the author's childhood and formative years, intersecting with the regional folktales and mythologies that fired his imagination. It is not only a fascinating window into an Appalachian community in the middle of the 20th century but also an insightful reminder of who that community is today, in spite of the external changes.

STORIES I LIVED TO TELL is more than a selection of stories from revered mountain storyteller Gary Carden. It is a testimony of a distinguished culture, sense of place and spirit of community that connects the Appalachian past to its present.

This memoir-in-stories invites the reader to move beyond stereotypes to experience the scenes, characters and community of the author's childhood and formative years, intersecting with the regional folktales and mythologies that fired his imagination. It is not only a fascinating window into an Appalachian community in the middle of the 20th century but also an insightful reminder of who that community is today, in spite of the external changes.

Featuring an introduction by documentarian Neal Hutcheson, this book is a moving, often funny collection by a talented storyteller who cuts through cliche and sanctimony with his powerful words.