Coming Soon

Anna Maybourne never imagined herself living in a place like Harper’s Creek, a nowhere town full of dusty farmland plagued by drought. It’s supposed to be a new start for her and her family. But after dropping out of college, Anna feels stuck in place --- working a part-time job, watching her little sister grow up, and taking care of her grandmother with dementia. It seems that the only interesting thing about her new town is the string of grisly murders attributed to a killer called the Farmhandman. Along with outspoken loner Melissa Laverne and handsome deputy Todd Greenbough, Anna fills her hours with the town’s darkest curiosity. But even though the prime suspect is long dead, the Farmhandman murders begin to feel too close for comfort as the anniversary nears. 

Amy Webb is a chef. Or rather, she was a chef. Somewhere along the way, she also became a wife and a stepmother and an emergency contact, and the part of her that was a chef disappeared entirely --- along with her sense of self. Which is why she is currently in the republic of Georgia, on a mission to find a lost dog named Angel, and, more importantly, the life’s purpose she once took for granted. For months, Amy has escaped by watching YouTube videos of Angel walking the children of Tbilisi to school. When Angel goes missing, Amy volunteers to go find him. But Angel proves elusive, and while she does make friends with a number of stray dogs, what she finds in Tblisi is entirely human. Is she happy in her marriage? What happened to her career? Why doesn’t she ever cook anymore, even just for herself? 

Jane Boleyn watches from the shadows of the Tudor court, where secrets are currency, every choice is dangerous, and even the faintest whisper can seal the fate of queens. For Jane, survival demands playing every role required of her: a loving wife who conceals her doubts, a devoted sister to Anne Boleyn at the height of her power, and an obedient spy who carefully wields her words. But in a court ruled by ambition and a tyrant’s sword, Jane must rely on her sharp wit and skillful maneuvering to outthink those around her, knowing that one wrong move could cost her everything.

Fern has weathered the stillness and storms of a bookseller’s life for decades. But now, in the face of crippling ennui, she transplants herself to the city of Thune to hang out her shingle beside a long-absent friend’s coffee shop. But it turns out that fixing your life isn’t a one-time prospect, nor as easy as a change of scenery and a lick of paint. A drunken and desperate night sees the rattkin waking far from home in the company of a legendary warrior, an imprisoned chaos-goblin with a fondness for silverware, and an absolutely thumping hangover. As together they fend off a rogue’s gallery of ne’er-do-wells trying to claim the bounty the goblin represents, Fern may finally reconnect with the person she actually is when nothing seems inevitable.

Olive Hunt is a crime scene cleaner who channels her childhood traumas into erasing the suffering of others. After nearly 10 years, she’s seen it all. Nothing rattles her anymore. Until now. Two back-to-back suicides. A seedy motel. An upscale Atlanta hotel. Olive discovers the same strange item at each scene. Then a third body drops. Olive knows what the police refuse to see: These aren’t suicides. They’re murders staged to perfection. Then the roses arrive. A vase of bloodred blooms on her doorstep. An anonymous note: Thank you. She’s found him. A serial killer who’s been leaving breadcrumbs only she can see. A killer who’s been cleaning up his work --- knowing she’ll clean up after him. A killer who wants her to follow. And follow she must. No matter how terrifying the trail becomes.

David Cartwright has left his library to the Spooks’ College in Oxford, and now one of the books is missing. Or perhaps it never existed. River, once a “slow horse” of Slough House, MI5’s outpost for demoted and disgraced spies, starts investigating the secrets of his grandfather’s library. Over at the Park, MI5 First Desk Diana Taverner is in a pickle. An operation carried out during the height of the Troubles laid bare the ugly side of state security, and those involved are threatening to expose details. But every threat hides an opportunity, and Taverner has come up with a scheme. Jackson Lamb, the enigmatic and odiferous head of Slough House, has no plans to send in the clowns. On the other hand, if the clowns ignore his instructions, any harm that befalls them is hardly his fault. But they’re his clowns. And if they don’t all make it home, there will be a reckoning.

Talia Kemper is on death row for murdering her husband. She had an alibi and no known motive, yet her unwavering protestations of innocence have always been ignored. Then one day in the visiting area, she sees a man she's certain is her husband. The person she's been convicted of killing may not be dead after all. But as the days tick away toward Talia's execution, what will it take for her to be believed?

Newlyweds Mattie and Cole Walker are teaching Cole’s daughters how to snowshoe in a remote canyon when a shattering scream pierces the air. From a distance, Mattie and Robo see a shadowy figure at the base of a cliff, but a rockslide buries the person under layers of stone and shale before they can provide help. Desperate to uncover the individual in case they’re still alive under the rock, their efforts are in vain. The victim is already dead. When they investigate the canyon rim from which the person fell, they discover evidence that indicates the fall was no accident. To make matters worse, the victim was one of Cole’s friends. The Timber Creek County investigative team springs into action, uncovering a trail of greed that leads to a killer who threatens Mattie’s cherished new family.

When ex-navy SEAL Salam al-Fayed --- Fade to his friends --- steps in front of a sniper’s bullet, he assumes all his problems are solved. Having already been declared clinically dead twice in his career, he’s hoping the third time will be the charm. Instead, he wakes in a hospital having gone from being one of the deadliest operatives in US history to a man incapable of even standing without assistance. Alone and wanted by authorities, he’s destined to spend the rest of his life lying in a prison infirmary. So when a shadowy organization offers him a new identity and next-generation medical care, he has no choice but to agree. Nothing’s free, though. After a grueling rehabilitation, he’s drafted into an elite paramilitary unit. But who’s in charge? When a dire threat explodes out of China, his question is quickly answered.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and is soon isolated, drawn instead into a series of events that leave him forever a stranger to his peers, his mother and himself. In the years that follow, István is borne along by the goodwill, or self-interest, of strangers, charting a rocky yet upward trajectory that lands him further from his childhood, and the defining events that abruptly ended it, than he possibly could have imagined. Shadowed by the specter of past tragedy and the apathy of modernity, the tension between István and all that alienates him hurtles forward until sudden tragedy again throws life as he knows it in jeopardy.

The characters of GOOD AND EVIL find themselves at a point of no return, dazzled by the glare of impending tragedy. Vulnerable and profoundly human, they become trapped in the instant in which the uncanny has lurched into their lives. Some are transformed, some are isolated, others waver between guilt or tenderness. All of them are riven by uncertainty. Samanta Schweblin’s prose uses tension and truth to construct a literary universe in which the monsters of everyday life come so close to us that we can almost feel their breath. Her writing provokes awe and disquiet, a state of alarm that at the same time transports us to a hypnotic world as recognizable as it is strange.

In the post-pandemic publishing industry, two rival editors are forced to share a “hot desk” on alternating days of the week. Having never set eyes on each other, Rebecca Blume and Ben Heath begin leaving passive-aggressive Post-it notes on the pot of their shared cactus. But when revered literary legend Edward David Adams (known as “the Lion”) dies, leaving his estate up for grabs, they compete to land this career-making opportunity. As the battle heats up, Rebecca learns of a surprising connection between her mother, Jane, and the Lion from 40 years earlier. The story travels back to the early 1980s, when Jane arrives in Manhattan and meets the glamorous Rose, who soon becomes her best friend. But one fateful day during the April blizzard of 1982 will change the course of Jane’s life, and their friendship, forever.

Mma Ramotswe can sense the rain long before it comes. It’s been a long, dry summer, but the first downpour of the season tends to bring with it new growth. In this case, it also brings a new client, who suspects his wife of having an affair. Mma Ramotswe is on the case, and she decides to bring Charlie along. But as they look further into the matter, they begin to suspect their client may not have been entirely truthful in explaining his predicament. Meanwhile, Mr. J.L.B.’s Matekoni has struck up a new friendship with a man named Mr. Mogorosi, a prominent figure in the motor trade business. Mma Ramotswe is concerned that Mr. Mogorosi may have ulterior motives for his attentions. When the two go on a fishing trip in waters teeming with dangerous crocodiles, she begins to worry for Mr. J.L.B. Matekoni’s safety.

Ruth and her wife, Wyn, are living with their four children on their small farm in Radclyffe, New York. It’s a sweet life, but there’s a secret at its center, one that not even Ruth’s best friend, Caroline, knows. What Caroline does know is that she loves and depends on Ruth, and on the bond between their families. More than anything, she wants her tenderhearted son not to grow up lonely the way she did. Unfortunately, no one can assure her of that, especially not her husband. He just wants things to be easy and drama-free --- which is impossible, as he has donated his sperm to his cousin, Tobi, and her wife so that they could have kids of their own. Now those children are asking unanswerable questions. After an unexpected death in their community, all three couples are forced to confront the tensions that have long been buried beneath the surfaces of their lives.

Girlie Delmundo is the greatest content moderator in the world. Despite the setbacks of financial crises, climate catastrophe and a global pandemic, she’s getting a promotion. Now, thanks to her parent company Paragon’s purchase of Fairground --- the world’s preeminent virtual reality content provider --- she’s on the way to becoming an elite VR moderator. Despite the isolation that virtual reality requires from colleagues, friends and family, the unbelievable perks of her new job mean she can solve a lot of her family's problems with money and mobility. But when she meets William Cheung, Playground’s wry, reticent co-founder (now Chief Product Officer), slowly unearths some of his secrets, and finds herself somehow falling in love, she’ll learn that history might be impossible to moderate and the future utterly impossible to control.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread. Her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow to find her estranged mentor, Milton Katz, who recently was forced out of the legendary theater company he founded amid accusations of sexual misconduct. Mona’s escape turns into an overnight adventure that brings her face to face with her past, with her creative power and its limitations, and ultimately, with all the people she has ever loved.

In June 1998, Mimi Truang is on her way home to Vietnam when her toddler daughter vanishes in the Philadelphia airport. Seventeen years later, two best friends in Chestnut Hill, Pennsylvania, discuss their summer plans before college. Kit, with the support of her white adoptive parents, will travel to Tokyo to explore her Japanese roots. This dizzying adventure offers her a taste of first love and a new understanding of what it means to belong. Sabrina had hoped to take a similar trip to China, but money is tight. Her disappointment subsides, however, when she meets a bold, uncompromising new mentor who prompts Sabrina to ask questions she’s avoided all her life. Meanwhile, Mimi purchases a plane ticket to Philadelphia. She finally has a lead in her search for her daughter. When Mimi, Kit and Sabrina come face to face, they will confront the people they truly are.

When Shannon gets engaged, her beloved mom, Cindy, is the first person she wants to tell --- and the last. Cindy is engaged, too, and already has hinted at a double wedding. The image of a synchronized bouquet toss with her mom fills Shannon with horror. She’ll keep her engagement a secret until Cindy’s I-dos are done. Victoria has never been proper enough for her mother, Ava, so she stopped trying. She lives on her own terms and amuses herself by pushing Ava’s buttons. Ava loves but doesn’t understand her stuntwoman daughter. When a movie-set mishap brings Victoria home, Ava longs to finally connect. Chance brings the four women together at a wedding venue, where a shocking secret comes tumbling out. As Shannon and Victoria deal with the fallout from the decisions their mothers made, they wrestle with whether who they are is different from who they might have become.

In PEOPLE LIKE US, two Black writers are trying to find peace and belonging in a world riven with violence. One is on a global book tour after winning a big prize; the other is set to speak at a school that has suffered a tragedy. As the authors’ storylines merge, truths and antics abound in equal measure. From tiny French cars and melancholy winter hotel rooms, from humble family land to the wealthiest estates, this book asks us to witness people and their dreams enduring against all odds.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house. After Alex’s sudden death, the supposedly possessed house passes to Clio and her sisters. Where her sisters see childhood trauma, Clio sees an opportunity for house-flipping content. But as the home makeover process begins, Clio discovers there might be some truth to her mother’s claims.

Alice, a professional mother of one, is hosting a playdate with friends at her upscale London home when a disturbed man breaks in. With her child in the next room, Alice panics and kills him --- an act later ruled to have been in self-defense. Everyone tries to encourage Alice to move on with her life. But with strange comments appearing online, a mysterious phone call telling her all is not as it seems, and her husband, nanny and friends behaving strangely, Alice finds herself drawn to the mystery of who her intruder really was. As she digs deeper, she discovers a trail of dark secrets that spiral closer to home than she ever could have imagined.

Australian writer Emma Callander has been recruited to complete the final historical mystery in a series by celebrated author Iris Blackburn. It’s 1965, and Iris’ memory is fading. She’s certain that only Emma can do justice to her novel about a murder on the Isle of Skye. When Emma ventures to Scotland for research, she discovers the story is not fiction at all but rather a true crime, unsolved for more than 50 years. It was 1904 when a couple’s suspicious drowning led to the disappearance of a mysterious young woman the locals called the Wild Girl. To this day the mystery is unforgettable, especially among the descendants of an aristocratic family who will do anything to keep their secrets buried. From the misty Highlands to a medieval castle, Emma and Tony Gordon, Iris’ handsome lawyer, work ever more closely to uncover them.

American heiress Ruby Vaughn and her octogenarian housemate and employer, Mr. Owen, run a rare bookshop in Exeter. His penchant for arcane, unusual --- and occasionally illegal --- books has been known to get Ruby into her fair share of trouble. And after the last year, she is looking forward to spending a quiet holiday in picturesque Oxford while Mr. Owen attends the annual meeting of his antiquarian society. When he secures two tickets to an upcoming exhibition of artifacts amassed by disgraced scholar Julius Harker, she reluctantly agrees to attend. Harker’s dead body is discovered amongst the collection, and his business partner is hastily arrested. The murder case is suspicious at best, but the last thing Ruby wants is another investigation. That is, until an old friend comes begging for her help.

Salman Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work: India, England and America. “In the South” introduces a pair of quarrelsome old men and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in MIDNIGHT’S CHILDREN uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech.

Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbank to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that, though the inhabitants of Little Nettlebed have never much liked the Mansfield girls, they’ve always had plenty to say about them. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: Something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it.