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When Reece visits his parents’ house, he’s shocked to find them in bed, dead. As Reece, shaken by his horrifying discovery, awaits questioning from the police, his phone lights up with a call. It’s the last person he ever would have expected to hear from. Reeling from the day’s events, Reece finds himself questioning everything he thought he knew about his parents --- and whether he and his own family are in danger now. While the authorities work to untangle the baffling crime scene, Reece is pulled into a web of secrets linked to the unscrupulous pharma company his father worked for years ago. In order to protect the people he loves most, he’ll have to dig deep into his own past to understand who his parents were, what they did, and who they hurt --- before he ends up paying for their sins.

Rekke and Vargas have earned a reputation for solving the unsolvable. But they’ve never been confronted by a serial killer. Until now. Rekke receives a visit from Spanish inspector, who is unable to forget the brutal, unsolved murder of a young woman in Santander in 1988. Now other bodies have come to light, marked with signs that seem to be some kind of numerical order. Still recovering from his latest manic episode, Rekke agrees to help decipher these signs before the killer strikes again. The victim was an aspiring writer and clues from her posthumously published short story draw Rekke and Vargas deep into the murk of Sweden’s literary scene. To unmask the killer, Rekke must relearn the difference between fact and fiction, and discover what really happened that night back in the 1980s.

Inspired by Hannah Arendt’s THE ORIGINS OF TOTALITARIANISM, Jill Lepore, profoundly disturbed by the technology revolution and by the soulless inundation of artificial intelligence, unfurls a new history for our own 21st century. Lepore’s clarion call traces our increasing dependence on and strangulation by data. With Orwellian overtones, this book demonstrates how technology has corroded global democracy, leading to the destruction of both human community and capacity for self-government, creating a new form of AI government. Deliberately alarming, THE RISE AND FALL OF THE ARTIFICIAL STATE, despite its abundance of dire facts, is not a funeral dirge; rather, it’s an inspiring wake-up call. Other heinous systems have also been dismantled, but disassembly requires identifying the parts, tracing the sources. It requires telling a new history. 

The Fairway Players return with Sarah-Jane and Kevin MacDonald as committee cochairs. This year, they have chosen to stage Agatha Christie’s THE HOLLOW. But auditions aren’t their only problem: Sarah-Jane’s sister is suddenly back in town under mysterious circumstances, having sold her home in Barbados and moved back into their mother Carol’s house. As always, they’re short on men and new Player Fran Elroy-Jones enlists a young married couple and the husband’s cousin to join. But no one wants to play the part of the hated Gerda, leaving Kevin and Sarah-Jane with no option but to reach out to an old member. As with any production, tensions run high and our intrepid lawyers Femi and Charlotte are tasked with uncovering exactly what happened on the opening night of The Hollow --- and whether the correct person has taken the blame.

Anna never imagined herself living in a place like Harper’s Creek. It’s supposed to be a new start for her and her family, but Anna feels stuck in place: watching her little sister grow up and taking care of her grandmother with dementia, whose paranoid episodes have started to unnerve her. The only interesting thing about her new town is the string of grisly murders attributed to a killer called the Farmhandman. Along with Melissa and Todd, Anna fills her hours with the town’s darkest curiosity. Tension is building and house is becoming more claustrophobic by the day and her grandmother is growing stranger. Anna begins to wonder if her delusional moments are somehow the key to discovering the truth about the murders.

Amy Webb is a chef. Or rather, she was a chef. Somewhere along the way, she also became a wife and a stepmother and an emergency contact, and the part of her that was a chef disappeared entirely --- along with her sense of self. Which is why she is currently in the republic of Georgia, on a mission to find a lost dog named Angel, and, more importantly, the life’s purpose she once took for granted. For months, Amy has escaped by watching YouTube videos of Angel walking the children of Tbilisi to school. When Angel goes missing, Amy volunteers to go find him. But Angel proves elusive, and while she does make friends with a number of stray dogs, what she finds in Tblisi is entirely human. Is she happy in her marriage? What happened to her career? Why doesn’t she ever cook anymore, even just for herself? 

Jane Boleyn watches from the shadows of the Tudor court, where secrets are currency, every choice is dangerous, and even the faintest whisper can seal the fate of queens. For Jane, survival demands playing every role required of her: a loving wife who conceals her doubts, a devoted sister to Anne Boleyn at the height of her power, and an obedient spy who carefully wields her words. But in a court ruled by ambition and a tyrant’s sword, Jane must rely on her sharp wit and skillful maneuvering to outthink those around her, knowing that one wrong move could cost her everything.

Fern has weathered the stillness and storms of a bookseller’s life for decades. But now, in the face of crippling ennui, she transplants herself to the city of Thune to hang out her shingle beside a long-absent friend’s coffee shop. What could be a better pairing? Surely a charming renovation montage will cure what ails her! If only things were so simple. It turns out that fixing your life isn’t a one-time prospect, nor as easy as a change of scenery and a lick of paint. A drunken and desperate night sees the rattkin waking far from home in the company of a legendary warrior, an imprisoned chaos-goblin with a fondness for silverware, and an absolutely thumping hangover. As together they fend off a rogue’s gallery of ne’er-do-wells trying to claim the bounty the goblin represents, Fern may finally reconnect with the person she actually is when nothing seems inevitable.

David Cartwright has left his library to the Spooks’ College in Oxford, and now one of the books is missing. Or perhaps it never existed. River, once a “slow horse” of Slough House, MI5’s outpost for demoted and disgraced spies, starts investigating the secrets of his grandfather’s library. Over at the Park, MI5 First Desk Diana Taverner is in a pickle. An operation carried out during the height of the Troubles laid bare the ugly side of state security, and those involved are threatening to expose details. But every threat hides an opportunity, and Taverner has come up with a scheme. Jackson Lamb, the enigmatic and odiferous head of Slough House, has no plans to send in the clowns. On the other hand, if the clowns ignore his instructions, any harm that befalls them is hardly his fault. But they’re his clowns. And if they don’t all make it home, there will be a reckoning.

Newlyweds Mattie and Cole Walker are teaching Cole’s daughters how to snowshoe in a remote canyon when a shattering scream pierces the air. From a distance, Mattie and Robo see a shadowy figure at the base of a cliff, but a rockslide buries the person under layers of stone and shale before they can provide help. Desperate to uncover the individual in case they’re still alive under the rock, their efforts are in vain. The victim is already dead. When they investigate the canyon rim from which the person fell, they discover evidence that indicates the fall was no accident. To make matters worse, the victim was one of Cole’s friends. The Timber Creek County investigative team springs into action, uncovering a trail of greed that leads to a killer who threatens Mattie’s cherished new family.

When ex-navy SEAL Salam al-Fayed --- Fade to his friends --- steps in front of a sniper’s bullet, he assumes all his problems are solved. Having already been declared clinically dead twice in his career, he’s hoping the third time will be the charm. Instead, he wakes in a hospital having gone from being one of the deadliest operatives in US history to a man incapable of even standing without assistance. Alone and wanted by authorities, he’s destined to spend the rest of his life lying in a prison infirmary. So when a shadowy organization offers him a new identity and next-generation medical care, he has no choice but to agree. Nothing’s free, though. After a grueling rehabilitation, he’s drafted into an elite paramilitary unit. But who’s in charge? When a dire threat explodes out of China, his question is quickly answered.

Teenager István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he soon becomes isolated, with his neighbor --- a married woman whom he begrudgingly helps with errands --- as his only companion. But as these periodic encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead. What follows is a rocky trajectory that sees István emigrate from Hungary to London, where he moves from job to job before finding steady work as a driver for London’s billionaire class. At each juncture, his life is affected by the goodwill or self-interest of strangers. Through it all, István is a calm, detached observer of his own life, and through his eyes we experience a tragic twist on an immigrant “success story.”

The characters of GOOD AND EVIL find themselves at a point of no return, dazzled by the glare of impending tragedy. Vulnerable and profoundly human, they become trapped in the instant in which the uncanny has lurched into their lives. Some are transformed, some are isolated, others waver between guilt or tenderness. All of them are riven by uncertainty. Samanta Schweblin’s prose uses tension and truth to construct a literary universe in which the monsters of everyday life come so close to us that we can almost feel their breath. Her writing provokes awe and disquiet, a state of alarm that at the same time transports us to a hypnotic world as recognizable as it is strange.

In the post-pandemic publishing industry, two rival editors are forced to share a “hot desk” on different days of the week, much to their chagrin. Having never set eyes on each other, Rebecca Blume and Ben Heath begin leaving passive-aggressive Post-it notes on the pot of their shared cactus. But when revered literary legend Edward David Adams (known as “the Lion”) dies, leaving his estate up for grabs, their banter escalates as both work feverishly to land this career-making opportunity. As their battle for the estate gets more heated, Rebecca learns of a connection between her mother, Jane, and the Lion. The story travels back four decades earlier to when Jane arrives in Manhattan and meets Rose, soon her best friend. But one fateful day during the April blizzard of 1982 will change the course of Jane’s life, and their friendship, forever.

Mma Ramotswe can sense the rain long before it comes. It’s been a long, dry summer, but the first downpour of the season tends to bring with it new growth. In this case, it also brings a new client, who suspects his wife of having an affair. Mma Ramotswe is on the case, and she decides to bring Charlie along. But as they look further into the matter, they begin to suspect their client may not have been entirely truthful in explaining his predicament. Meanwhile, Mr. J.L.B.’s Matekoni has struck up a new friendship with a man named Mr. Mogorosi, a prominent figure in the motor trade business. Mma Ramotswe is concerned that Mr. Mogorosi may have ulterior motives for his attentions. When the two go on a fishing trip in waters teeming with dangerous crocodiles, she begins to worry for Mr. J.L.B. Matekoni’s safety.

Ruth and her wife, Wyn, are living with their four children on their small farm in Radclyffe, New York. It’s a sweet life, but there’s a secret at its center, one that not even Ruth’s best friend, Caroline, knows. What Caroline does know is that she loves and depends on Ruth, and on the bond between their families. More than anything, she wants her tenderhearted son not to grow up lonely the way she did. Unfortunately, no one can assure her of that, especially not her husband. He just wants things to be easy and drama-free --- which is impossible, as he has donated his sperm to his cousin, Tobi, and her wife so that they could have kids of their own. Now those children are asking unanswerable questions. After an unexpected death in their community, all three couples are forced to confront the tensions that have long been buried beneath the surfaces of their lives.

Girlie Delmundo is the greatest content moderator in the world. Despite the setbacks of financial crises, climate catastrophe and a global pandemic, she’s getting a promotion. Now, thanks to her parent company Paragon’s purchase of Fairground --- the world’s preeminent virtual reality content provider --- she’s on the way to becoming an elite VR moderator. Despite the isolation that virtual reality requires from colleagues, friends and family, the unbelievable perks of her new job mean she can solve a lot of her family's problems with money and mobility. But when she meets William Cheung, Playground’s wry, reticent co-founder (now Chief Product Officer), slowly unearths some of his secrets, and finds herself somehow falling in love, she’ll learn that history might be impossible to moderate and the future utterly impossible to control.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread. Her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow to find her estranged mentor, Milton Katz, who recently was forced out of the legendary theater company he founded amid accusations of sexual misconduct. Mona’s escape turns into an overnight adventure that brings her face to face with her past, with her creative power and its limitations, and ultimately, with all the people she has ever loved.

When Shannon gets engaged, her beloved mom, Cindy, is the first person she wants to tell --- and the last. Cindy is engaged, too, and already has hinted at a double wedding. The image of a synchronized bouquet toss with her mom fills Shannon with horror. She’ll keep her engagement a secret until Cindy’s I-dos are done. Victoria has never been proper enough for her mother, Ava, so she stopped trying. She lives on her own terms and amuses herself by pushing Ava’s buttons. Ava loves but doesn’t understand her stuntwoman daughter. When a movie-set mishap brings Victoria home, Ava longs to finally connect. Chance brings the four women together at a wedding venue, where a shocking secret comes tumbling out.  As Shannon and Victoria deal with the fallout from the decisions their mothers made, they wrestle with whether who they are is different from who they might have become.

Two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. As their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house. After Alex’s sudden death, the supposedly possessed house passes to Clio and her sisters. Where her sisters see childhood trauma, Clio sees an opportunity for house-flipping content. But as the home makeover process begins, Clio discovers there might be some truth to her mother’s claims.

Alice, a professional mother of one, is hosting a playdate with friends at her upscale London home when a disturbed man breaks in. With her child in the next room, Alice panics and kills him --- an act later ruled to have been in self-defense. Everyone tries to encourage Alice to move on with her life. But with strange comments appearing online, a mysterious phone call telling her all is not as it seems, and her husband, nanny and friends behaving strangely, Alice finds herself drawn to the mystery of who her intruder really was. As she digs deeper, she discovers a trail of dark secrets that spiral closer to home than she ever could have imagined.

American heiress Ruby Vaughn and her octogenarian housemate and employer, Mr. Owen, run a rare bookshop in Exeter. His penchant for arcane, unusual --- and occasionally illegal --- books has been known to get Ruby into her fair share of trouble. And after the last year, she is looking forward to spending a quiet holiday in picturesque Oxford while Mr. Owen attends the annual meeting of his antiquarian society. When he secures two tickets to an upcoming exhibition of artifacts amassed by disgraced scholar Julius Harker, she reluctantly agrees to attend. Harker’s dead body is discovered amongst the collection, and his business partner is hastily arrested. The murder case is suspicious at best, but the last thing Ruby wants is another investigation. That is, until an old friend comes begging for her help.

Salman Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work: India, England and America. “In the South” introduces a pair of quarrelsome old men and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in MIDNIGHT’S CHILDREN uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech.

Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbank to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. A richly atmospheric parable of the pleasures and perils of female defiance, THE HOUNDING considers whether in any age it might be safer to be a dog than an unusual young girl.